When Moses, musing in the desert, found The thorn bush spiking up from the hot ground, And saw the branches on a sudden bear The crackling yellow barberries of fire,
He searched his learning and imagination For any logical, neat explanation, And turned to go, but turned again and stayed And faced the fire and knew it for his God.
I too have seen the briar alight like coal, The love that burns, the flesh that’s ever whole, And many times have turned and left it there, Saying: “It’s prophecy–but metaphor.”
But stinging tongues like John the Baptist shout: “That this is metaphor is no way out. It’s dogma too, or you make God a liar; The bush is still a bush, and fire is a fire.”
In The Earth is the Lord’s: Poems of the Spirit, H. PLotz, ed. (Thomas Y. Crowell Co. 1965), 57.
_______________
“Adoro te supplex, lateens deitas”
(beginning stanzas)
by Thomas Aquinas
Godhead here in hiding, whom I do adore Masked by these bare shadows, shape and nothing more, See, Lord, at thy service low lies here a heart Lost, all lost in wonder at the God thou art.
Seeing, touching, tasting are in thee deceived; How says trusty hearing? that shall be believed; What God’s Son has told me, take for true I do; Truth himself speaks truly or there’s nothing true.
On the cross thy godhead made no sign to men; Here thy very manhood steals from human ken: Both are my confession, both are my belief, And I pray the prayer of the dying thief.
In The Poems of Gerard Manley Hopkins, W.H. Gardner and N.H. MacKenzie, ed.s (Oxford Univ. Press 1967); Hopkins had translated this Aquinas poem.
__________________
You Wait
by Victoria Priest
God abounds, is all around; His love for me endures. But I, up in the air then on the ground; Smitten now, but later all demurs; Oh love! How foul am I! Your love abounds, is all around; You yet wait for my return.
Batter my heart, three-person’d God; for, you As yet but knock, breathe, shine, and seek to mend; That I may rise, and stand, o’erthrow me, and bend Your force, to break, blow, burn and make me new. I, like an usurped town, to another due, Labour to admit you, but O, to no end. Reason, your viceroy to me, me should defend, But is captiv’d, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am beroth’d unto your enemy: Divorce me, untie, or break that knot again, Take me to you, imprison me, for I Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.
In The Oxford Book of Christian Verse. D. Cecil, ed. (Clarendon Press 1940), p 87.
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LOVE II
By George Herbert (1593 – 1633)
Immortal Heat, O let they greater flame Attract the lesser to it: Let those fires, Which shall consume the world, first make it tame, And kindle in our hearts such true desires,
As may consume our lusts, and make thee way. Then shall our hearts pant [for] thee; then shall our brain All her inventions on thine Altar lay, And there in hymns send back thy fire again.
Our eyes shall see thee, which before saw dust; Dust blown by wit, till that they both were blind: Thou shalt recover all they goods in kind, Who wert disseized by usurping lust:
All knees shall bow to thee, all wits shall rise, And praise him who did make and mend our eyes.
In The One Year Book of Poetry. P. Comfort and D Partner, ed.s (Tyndale House Pub.s 1999), Feb. 14.
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“BUT ART THOU COME, DEAR SAVIOR?”
By Anonymous
But art Thou come, dear Saviour? hath Thy love Thus made Thee stoop, and leave Thy throne above
Thy lofty heavens, and thus Thyself to dress In dust to visit mortals? Could no less
A condescension serve? and after all The mean reception of a cratch and stall?
Dear Lord, I’ll fetch Thee thence! I have a room (‘Tis poor, but ’tis my best) if Thou wilt come
Within so small a cell, where I would fain Mine and the world’s Redeemer entertain,
I mean, my heart: ’tis sluttish, I confess, And will not mend Thy lodging, Lord, unless
Thou send before Thy harbinger, I mean Thy pure and purging Grace, to make it clean
And sweep its nasty corners; then I’ll try to wash it also with a weeping eye.
And when ’tis swept and wash’d, I then will go And, with Thy leave, I’ll fetch some flowers that grow
In Thine own garden, Faith and Love, to Thee; With these I’ll dress it up, and these shall be
My rosemary and bays. Yet when my best Is done, the room’s not fit for such a guest.
But here’s the cure; Thy presence, Lord, alone Will make a stall a court, a cratch a throne.
In The Oxford Book of Christian Verse. D. Cecil, ed. (Clarendon Press 1940), pp 260-261.
Adad Gate, Nineveh (northern Iraq). Partial reconstruction of one of the 15 gates into ancient Nineveh.
“The atheist has it almost right: humans regularly do make gods in their image. Yet the biblical God isn’t the kind we make up. He refuses to be manipulated by human schemes. He makes us all—including his true devotees—uncomfortable, which in the end is what we truly need to overcome our self-centeredness. ‘Whoever wishes to save his life will lose it; but whoever loses his life for My sake will find it’ Matt. 16:25)” (Copan p 193).
Many today find fault with the God of the Old Testament (OT) because they read of the violence He commanded, or they read and accept unlearned and biased commentary about it. Yet they ignore all that God presents about Himself, the contexts of the situations, and the hugely over-riding context of God’s benevolent plan for mankind. If the critics used such thought processes with their family and friends, they would have no relationships! Their assertions and arguments are unscholarly and simple, stemming from an ideology that seeks to eliminate God.
Is God mysterious and some of His ways unknowable? Yes. But is God compassionate? Can we discern that He is compassionate by what is presented in the OT (since God’s compassion is very clear in the New Testament, we are focusing on the OT here) without being accused of only wishful thinking? Yes, and we can know that God’s compassion was not for the Israelites only. Perhaps the most obvious example of God’s love and patience outside of Israel involves the Ninevites, since a whole book—Jonah—provides the evidence. (This book also foreshadows Jesus and His work.)
Now, Jonah is a fun book, especially if you take the time to imagine what is going on and maybe do some research in commentaries. The gist of the story is that Jonah is called by the Lord to go and convey to the Ninevites—a cruel people and bitter enemies of Israel—that God has seen their evil and it has gone on long enough. Judgment is coming. Jonah, knowing that God might be compassionate towards them (instead of destroying Israel’s enemy), ran from the Lord’s calling; “you are a gracious and compassionate God, slow to anger and abounding in love, a God who relents from sending calamity” (Jonah 4:2b).
Indeed, after Jonah finally gave the Ninevites the message of God, the Ninevites repented and God did not harm them. Jonah was so upset about this that he told God that he wanted to die. This represents man’s view. But God answered with His view: “Nineveh has more than a hundred and twenty thousand people who cannot tell their right hand from their left, and many cattle as well. Should I not be concerned about that great city?” (Jonah 4:11).
At least some of you came here thinking, “OK, but how can the Canaanites be an example of God’s compassion?” After all, God commanded the Israelites to destroy many of the Canaanite groups: Hittites, Girgashites, Amorites, Canaanites, Perizzites, Hivites and Jebusites (Deuteronomy 7:1-5; they were to leave alone Moab, Ammon, and Edom). God commanded this through Moses, prior to Joshua leading the Israelites into the “promised” land around the Jordan River.
This command of God’s seems out of character to many people. The God of the New Testament would not command such a thing . . . would he? Jesus’ disciples understood that God had made judgments in the past, and when a Samaritan town would not help them at a certain time, they asked, “Lord, do you want us to call fire down from heaven to destroy them?” “But Jesus turned and rebuked them, and they went to another village” (Luke 9:54b-56). Jesus provided another example about how, during this new era, God’s judgment is postponed. As part of His instructions when sending out his disciples, Jesus said: “If anyone will not welcome you or listen to your words, shake the dust off your feet when you leave that home or town. I tell you the truth, it will be more bearable for Sodom and Gomorrah on the day of judgment than for that town” (Matthew 10:14-15).
As we saw earlier, the sin and cruelty of Nineveh had gone on long enough when God decided to judge them. He sent Jonah beforehand, however, to preach to them God’s thoughts, and the Ninevites actually repented. God therefore held off judgment. A far different example is that of Sodom and Gomorrah, as mentioned above by Jesus. God knew those towns were devoid of righteous people, and so they were eventually destroyed because of their overall wickedness. Yet another example commonly known of is the great flood. God found the people evil and corrupt, so he gave Noah 120 years to build the ark before the flood waters came. In all that time, the earth’s inhabitants did not repent. God is very patient and longsuffering, and does not execute judgment until He knows the point of no return has been reached.
Which now brings us back to the Canaanites. Way back before the Israelites even traveled to Egypt and subsequently became slaves, God knew of the Canaanite’s evil ways. While God was making his covenant with Abram (later called Abraham), He told him this prophecy:
“Know for certain that your descendants will be strangers in a country not their own, and they will be enslaved and mistreated four hundred years. But I will punish the nation they serve as slaves, and afterward they will come out with great possessions. You, however, will go to your fathers in peace and be buried at a good old age. In the fourth generation your descendants will come back here, for the sin of the Amorites ¹ [Canaanites] has not yet reached its full measure” (Genesis 15:13-16; emphasis added).
The Exodus out of Egypt took place around 1446 BC, and they entered Canaan round 1406 BC. To be clear, Israelites were not being given the land around the Jordan River because they were righteous, but because they were to be an instrument of judgment and because they serve an ultimate future purpose (Deuteronomy 9:5). Also, since Israel did not keep a standing army and did not pay any soldiers, God was proving to the other nations that He is God and more than able to overcome their “gods.”
But what did the Canaanites do that was so bad? They did those things God forbade in Leviticus 18: incest, sodomy, bestiality, and sacrificing children (by burning them alive) to the god Molech. The Amalekites had done additional damage by murdering the slower persons at the end of the Israelite line while they traveled from Egypt; the Amalekites had acted wickedly and purposefully worked against God’s reputation. It should be noted that God did not order the destruction of any people for a lack of faith in Him, but for horrendous moral behavior (see Amos 1 -2 for more on God’s thinking).
The judgment of God against the peoples of Canaan had at least two purposes, and His purposes have compassion. One is that, sooner or later, evil needs to be dealt with and justice served, and the Canaanites were given plenty of time to change their ways. A great deal of wickedness was removed from the earth, or would have been sooner, if God’s commands were actually carried out. A great compassion, as I see it, is that God was trying to put a stop to the systematic and torturous murder of innocent children. Second, God’s compassionate plan for the redemption of all willing humans rested on the survival of Israel. God warned again and again that if the Canaanites were allowed to survive, and if Israel intermarried with them, that they would sin and turn from God. This indeed happened often, as God said.
It is mentioned above that not all Canaanites were killed, even though God commanded their destruction.² This is where it becomes imperative that God’s word is read carefully. While God commanded the destruction of seven Canaanite tribes in Deuteronomy 7:1-5 (and other places), a bit further down in Deuteronomy God said: “The LORD your God will drive out those nations before you, little by little. You will not be allowed to eliminate them all at once, or the wild animals will multiply around you” (7:22). Indeed, archaeological evidence shows that Canaanite culture and religion were nonexistent in Israel by 1000 BC, about 400 years after Israel entered that land.
To conclude, God is the God of all and God loves all, not just Israel (or Christians). However, He is also just and knows of the suffering people experience from evil. In Old Testament times God pronounced prophecies and judgments, oftentimes with warnings. In the case of Nineveh, the people repented and God did not execute judgment. At other times, Israel itself committed evil, did not repent, and God judged them. In the case of the Canaanites, God saw their evil ways and also foresaw their lack of repentance; He used Israel as His instrument of judgment against them. In this Christian era (the beginning of which depended on the survival of Israel), God seeks to save the lost prior to His judgment and eventual renewal of the whole earth. Since Adam and Eve fell from grace, God has been working on His plan of redemption for all willing humans and even nature itself. His periodic elimination of evil historically, and His compassionate interventions otherwise, all work toward drawing His rebellious but beloved creation back to Himself.
Notes
Amorite and Canaanite are basically interchangeable, referring to peoples that lived in the “land of Canaan.” Canaan was a son of Ha, who was a son of Noah. Amorite could more specifically refer to those dwelling in the hills, while Canaanites were those in the valleys.
So what do we make of the book of Joshua, then, where in contradiction to other biblical passages, it is claimed that Joshua destroyed the Canaanites? Bible scholar Nicholas Wolterstorff has studied Joshua and it’s relation to other biblical passages that clearly indicate that Canaanites survived Joshua’s attacks (Flannagan 255-286), and came to a number of instructive conclusions. Foremost is that Joshua is hagiographic and includes hyperbolic war language that is basically identical to that used by other regional nations, and thus should not be taken literally. When reading Judges and other books that mention the Canaanites, books that read like regular history, we can take them literally as opposed to Joshua’s military claims.In addition, the words used for “destroy” and “drive out” are interchangeable and perhaps confused. The same language was used of Adam and Even being driven out from the Garden of Eden; obviously, they weren’t destroyed (other similar passages involve Cain and King David). Leviticus 18:26-28 also mentions the driving out of the Canaanites, not their destruction. Yet another consideration is what the bible says about the Amalekites. In 1 Samuel we read of God ordering the utter destruction of the Amalekites, and then King Saul carrying that order out. However, later in the same book (!), we read of King David running into living Amalekites–there was even an Amalekite army! It becomes obvious that the bible contains the exaggerated war rhetoric of those times. However, while these explanations serve to placate critics over issues of God-ordered genocide, they seem to overly dismiss God’s legitimate role of all-knowing judge.
This article was edited at various times and expanded in January 2015. It was originally published by the author at Examiner.com.
Sources: Copan, Paul, Is God a Moral Monster? (Baker Books 2011); Flannagan, Matthew, “Did God Command the Genocide of the Canaanites?” in True Reason: Confronting the Irrationality of the New Atheism (Kregel Publ.s 2013, pp 255-286); Kaiser et al., Hard Sayings of the Bible (InterVarsity Press 1996); The Bible (NIV 1984). Image: http://en.wikipedia.org/wiki/File:Nineveh_Adad_gate_exterior_entrance_far2.JPG
The Way My Ideas Think Me (Jose Garcia Villa) is a playful and familiar (as opposed to formal in a religious sense) poem that may mask the seriousness of the subject matter. The first stanza presents a difficulty, a problem, the tension. The second stanza is fun, as if the author is in a playland; the third stanza flows from it – though something is getting serious enough for the author to become angry. The fourth stanza presents action to relieve the earlier presented—and the building—tension. Some specifics are below each stanza (these are my current and concise thoughts on the poem, without influence from other literary critics).
The way my ideas think me
Is the way I unthink God.
As in the name of heaven I make hell
That is the way the Lord says me.
This stanza, and poem, would be easier if the author seemed to be saying that he makes his own life hell, but he says he makes hell “in the name of heaven.” How would you be making your own life hell “in the name of heaven”? When we do something in someone else’s name, it’s outward – in witness, in action with someone or something else. The author, then, seems to be saying that his ideas are contrary to God – he “unthinks” God with his incorrect notions of God and His will – and he witnesses or puts into action those incorrect notions. These actions can push people toward hell more than toward God; they can make life worse for everyone involved instead of better. The author hears from God, however, letting him know of his false and detrimental ways.
And all is adventure and danger
And I roll Him off cliffs and mountains
But fast as I am to push Him off
Fast am I to reach Him below.
But now we have this fun stuff. Well, is making hell in the name of heaven serious, or not? The life of the Christian can certainly seem like a dangerous adventure, and I think the author is simply stating this in attractive terms so that we’ll pay attention. He isn’t talking missions trips, however. Maybe the author thinks it’s challenging and maybe a bit fun to see how far he can go with God – how much “on the edge” activities he can do (sinning or border-line behavior)—without losing Him. After all, he pushes God away. The author is “on top” or up high, and he pushes God down. However, he doesn’t actually want to get rid of God, but quickly reaches back to Him.
And it may be then His turn to push me off,
I wait breathless for that terrible second:
And if He push me not, I turn around in anger:
“O art thou the God I would have!”
The author recognizes his behavior and wants acknowledgment from God – that He’s around and that He’s going to give guidance – also that He has the righteous authority to do so. If He isn’t such a God, what’s the point? What is the point of life without a God who is good, moral, has authority in these matters, and has the ultimate capacity to teach, guide and judge? If you keep on going down the wrong road, would you rather God left you alone, or that He intervened – as a loving parent would? The author recognizes that there should be consequences to our actions – he waits for God to push him off the mountain.
Then he pushes me and I plunge down, down!
And when He comes to help me up
I put my arms around Him, saying, “Brother,
Brother.” . . . This is the way we are.
God is there for the author–he’s not alone. God pushes him off the high place (perhaps that he made for himself), but afterwards God also extends His hand and gets the author back up on his feet. He is so glad to have such a friend, such a God. With all his foibles and human delusions (like thinking we can do stuff on our own and be our own king of the mountain) he can still depend on his Lord, and even delight in him as “brother.” And who is our “brother” but the Lord Jesus Christ, who died for us to be adopted into God’s family? We can sin and make mistakes, but Jesus will never leave us if we continue to seek Him.
I understand that matter can be changed To energy; that maths can integrate The complex quantum jumps that must relate The fusion of the stars to history’s page. I understand that God in every age Is Lord of all; that matter can’t dictate; That stars and quarks and all things intricate Perform his word—including fool and sage.
But knowing God is not to know like God; And science is a quest in infancy. Still more: transcendence took on flesh and blood— I do not understand how this can be.
The more my mind assesses what it can, The more it learns the finitude of man.
In The Poetic Bible, C Duriez, ed. (Scribner Poetry 1997), 180.
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SUPERNATURAL LOVE
By Gjertrud Schnackenberg
My father at the dictionary-stand Touches the page to fully understand The lamplit answer, tilting in his hand
His slowly scanning magnifying lens A blurry, glistening circle he suspends Above the word “Carnation.” Then he bends
So near his eyes are magnified and blurred, One finger on the miniature word, As if he touched a single key and heard
A distant, plucked, infinitesimal string, “The obligation due to every thing That’s smaller than the universe.” I bring
My sewing needle close enough that I Can watch my father through the needle’s eye, As through a lens ground for a butterfly
Who peers down flower-hallways toward a room Shadowed and fathomed as this study’s gloom Where, as a scholar bends above a tomb
To read what’s buried there, he bends to pore Over the Latin blossom. I am four, I spill my pins and needles on the floor
Trying to stitch “Beloved” X by X. My dangerous, bright needle’s point connects Myself illiterate to this perfect text
I cannot read. My father puzzles why It is my habit to identify Carnations as “Christ’s flowers,” knowing I
Can give no explanation but “Because.” Word-roots blossom in speechless messages The way the thread behind my sampler does
Where following each X I awkward move My needle through the word whose root is love. He reads, “A pink variety of Clove,
Carnatio, the Latin, meaning flesh.” As if the bud’s essential oils brush Christ’s fragrance through the room, the iron-fresh
Odor carnations have floats up to me, A drifted, secret, bitter ecstasy, The stems squeak in my scissors, Child, it’s me,
He turns the page to “Clove” and reads aloud: “The clove, a spice, dried from a flower-bud.” Then twice, as if he hasn’t understood,
He reads, “From French, for clou, meaning a nail.” He gazes, motionless. “Meaning a nail.” The incarnation blossoms, flesh and nail,
I twist my threads like stems into a knot And smooth “Beloved,” but my needle caught Within the threads, Thy blood so dearly bought,
The needle strikes my finger to the bone. I lift my hand, it is myself I’ve sewn, The flesh laid bare, the threads of blood my own,
I lift my hand in startled agony And call upon his name, “Daddy daddy”— My father’s hand touches the injury
As lightly as he touched the page before, Where incarnation bloomed from roots that bore The flowers I called Christ’s when I was four.
In The Vintage Book of Contemporary American Poetry, JD McClatchy ed. (Vintage Books 1990), 535-537.
As a Christian, I believe John’s statement: This is the message we have heard from him and declare to you: God is light; in him there is no darkness at all (John 1:5). Yet, there are verses in the Bible—mostly in the Old Testament—where God says He causes calamity, the hardening of hearts, even sinful behavior. Critics and skeptics ask about these, and in light of the evil and suffering in the world, wonder at the goodness or even existence of God.
So which verses are we talking about? Here are some of them:
Exodus 9:12: But the Lord hardened Pharaoh’s heart and he did not listen to them, as the Lord had told Moses.
1 Kings 22:23: You see, the Lord has put a lying spirit into the mouth of all these prophets of yours, and the Lord has pronounced disaster against you.
Isaiah 45:7: I form light and create darkness, I make success and create disaster; I, the Lord, do all these things.
Mark 4:11-12 (verse 12 is from Isaiah 6:9-10): He answered them, “The secret of the kingdom of God has been granted to you, but to those outside, everything comes in parables so that ‘they may look and look, yet not perceive; they may listen and listen, yet not understand; otherwise, they might turn back—and be forgiven.”
So does God really, purposefully, harden people’s hearts to that they won’t listen to Him or come to Him, tell people or spirits to go and lie for Him so that they (or others) do the wrong thing, and/or simply cause disasters?
The basic answer to all of these is that since God is sovereign and He made everything, He is ultimately responsible for everything that happens. That’s how the Hebrews saw it and that’s how they wrote, though to us today it seems odd or unsatisfactory. The Hebrews knew that persons and spirits were responsible, yet they emphasized God’s role. As is stated in Hard Sayings of the Bible, “What is reflected here is the lack of precise distinction in Hebraic thought between primary and secondary causes. Since God is sovereign, human will and freedom to decide for or against God were often subsumed under divine sovereignty” (Kaiser et al, 620).
Let’s look at each of the above verses separately, while keeping in mind the general explanation already stated by Kaiser et al. Regarding Exodus 9:12, MacDonald briefly writes: “The more Pharaoh hardened his heart, the more it became judicially hardened by God” (96). The concern is recognized in Kaiser et al.: “. . . it appears God authors evil and then holds someone else responsible. Did God make it impossible for Pharaoh to respond and then find Pharaoh guilty for this behavior?” (142). No, since Pharaoh hardened his own heart during the first five plagues (Ex 7:13, 14, 22; 8:15, 19, 32; 9:7, 34, 35; 13:15). After this, as MacDonald so concisely stated, God helped the process along since it was already what Pharaoh had decided himself.
1 Kings 22:23. In considering this verse and its context, the Hebrew habit of ignoring secondary causes is significant. There are other verses in the Bible where a command is given, but it is an affirmation of permission – as is the case when Jesus tells the demons to enter a herd of pigs (Matt 8:31), or when he tells Judas to get going with his plans (John 13:27). In the case of 1 Kings 22, King Ahab was listening to false prophets and the false prophets were responsible for their own lies; God allowed it and used it for His plans, and God even warned Ahab.
. . . the passage in question is a vision that Micaiah reveals to Ahab. God is telling Ahab, “Wise up. I am allowing your prophets to lie to you.” In a sense, God is revealing further truth to Ahab rather than lying to him. If God were truly trying to entrap Ahab into a life-threatening situation, he would not have revealed the plan to him! Even so, Ahab refuses to heed God’s truth, and he follows his prophets’ advice (Kaiser et al, 231).
In conclusion, “Without saying that God does evil that good may come, we can say that God overrules the full tendencies of preexisting evil so that the evil promotes God’s eternal plan, contrary to its own tendency and goals” (Kaiser et al, 230).
Isaiah 45:7. Much has been written on Isaiah 45:7, since part of the problem is that the King James Bible incorrectly used the word “evil” instead of disaster or some like word. The verse refers to natural “evil” (destructive forces) and not moral evil. God permits these things, and in fact natural destructive forces are a normal and necessary part of the earth’s balance and being. The verse is a strong declaration, however, that God is THE creator and that He is ultimately in control of all things, and not some other being.
Mark 4:11-12 (Isaiah 6:9-10). After having reviewed the other verses/passages, the meaning of this passage can almost be inferred. It may sound mean and controlling of God, but it is a reality that there are those people who go after and accept views and actions that are contrary to God. For those like this, God lets them continue; they have chosen their way, their path, and God does not force anyone to follow Him and accept Him as savior and Lord. (Interestingly, the author of the section on this verse in Kaiser et al. [417-419] does not agree, providing a minority interpretation that is something of a 180˚ turn.) MacDonald provides a generally accepted interpretation:
Verses 11 and 12 explain why this truth was presented in parables. God reveals His family secrets to those whose hearts are open, receptive and obedient, while deliberately hiding truth from those who reject the light given to them. . . . we must remember the tremendous privilege which these people had enjoyed. The Son of God had taught in their midst and performed many mighty miracles before them. Instead of acknowledging Him as the true Messiah, they were even now rejecting Him. Because they had spurned the Light of the world, they would be denied the light of His teachings (1330).
God is light; in him there is no darkness at all (John 1:5b). God is not evil and does not do evil, but He does “work around” the evil in this world to further His plans for human redemption. God loves us, and sent His son for us, so that we may have new life in Him (to not be controlled by the evil in the world). If you want that, you will find it. You will find God and He will know you. “For the Son of Man came to seek and to save what was lost” (Luke 19:10); “Ask and it will be given to you; seek and you will find; knock and the door will be opened to you” (Matt 7:7); “Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known” (1 Cor 13:12); “But the man who loves God is known by God” (1 Cor 8:3).
____
Sources: James Dunn and John Rogerson, ed.s, Eerdmans Commentary on the Bible (Grand Rapids: William B. Eerdman’s Pub Co 2003); Tim Jackson, Did God Create Evil?; Kaiser, Walter et al, Hard Sayings of the Bible (Downers Grove: InterVarsity Press 1996); MacDonald, William, Believer’s Bible Commentary (Nashville: Thomas Nelson Pub.s 1995).
Love bade me welcome; yet my soul drew back, Guilty of dust and sin. But quick-eyed Love, observing me grow slack From my first entrance in, Drew nearer to me, sweetly questioning, If I lacked anything.
A guest, I answered, worthy to be here. Love said, “You shall be he.” I the unkind, ungrateful? Ah, my dear, I cannot look on thee. Love took my hand, and smiling did reply, “Who made the eyes but I?”
Truth Lord, but I have marred them; let my shame Go where it doth deserve. “And know you not,” says Love, “who bore the blame?” My dear, then I will serve. “You must sit down,” says Love, “and taste my meat.” So I did sit and eat.
.
In A Book of Religious Verse, H Gardner, ed. (Oxford Univ Press 1972), 132.
___________
Simone Weil (1909-1943)
Vicki Priest (This poem is included in the 2014 anthology, The Chorus, compiled and translated into Korean by Aeire Choi. Poems are in both Korean and English. The Chorus is a truly beautiful book of spiritual poetry, and well made [it’s heavy!]. Available through Aladin.)
God is pure beauty. The longing To love the beauty of the world in A human being is essentially The longing for the Incarnation. What we love is perfect joy itself.
It is not in our power to travel In a vertical direction. Christ Himself came down and took possession Of me. I was able to rise above this Wretched flesh, to leave it to suffer by itself.
Something stronger than I was Compelled me to go down on my knees. It is not my business to think about Myself. My business is to think about God. Only obedience is invulnerable for all time.
I always believed that the instant Of death is the center and object of life. Every time I think of the crucifixion Of Christ I commit the sin of envy. The future is still to be feared.
The danger is not in the soul’s doubt that There is bread, but, by a lie, to persuade itself It is not hungry. Christ is our bread. If one Turns aside from him to go toward the truth, One will not go far before falling into his arms.
.
This “poem” consists of quotes by Simone Weil.
___________
IN MEMORIAM
Alfred, Lord Tennyson
Love is and was my lord and king, And in his presence I attend To hear the tidings of my friend, Which every hour his couriers bring.
Love is and was my king and lord, And will be, though as yet I keep Within the court on earth, and sleep Encompassed by his faithful guard,
And hear at times a sentinel Who moves about from place to place, And whispers to the worlds of space, In the deep of night, that all is well.
.
In The One Year Book of Poetry, P Comfort & D Partner, ed.s (Tyndale House Pub.s 1999), “Feb. 11” page.
Arranged by Annie Dillard from Mikhail Prishvin, Nature’s Diary, 1925
How wonderfully it was all arranged that each Of us had not too long to live. This is one Of the main snags—the shortness of the day. The whole wood was whispering, “Dash it, dash it . . .”
What joy—to walk along that path! The snow Was so fragrant in the sun! What a fish! Whenever I think of death, the same stupid Question arises: “What’s to be done?”
As for myself, I can only speak of what Made me marvel when I saw it for the first time. I remember my own youth when I was in love. I remember a puddle rippling, the insects aroused.
I remember our own springtime when my lady told me: You have taken my best. And then I remember How many evenings I have waited, how much I have been through for this one evening on earth.
In Mornings Like This: Found Poems. Annie Dillard (Harper Perennial, 1996), 1.
___________
EXILE
Evangeline Paterson
Yes, it is a beautiful country, the streams in the winding valley, the knows and the birches, and beautiful the mountain’s bare shoulder and the calm brows of the hills, but it is not my country, and in my heart there is a hollow place always.
And there is no way to go back— maybe the miles indeed, but the years never.
Winding are the roads that we choose, and inexorable is life, driving us, it seems, like cattle farther and farther away from what we remember.
But when we shall come at last to God, who is our Home and Country, there will be no more road stretching before us and no more need to go back.
In The Poetic Bible, collected by C Duriez (Hendrickson Pub.s 2001), 184).
___________
MY COCOON TIGHTENS, COLORS TEASE
by Emily Dickinson
My cocoon tightens, colors tease, I’m feeling for the air; A dim capacity for wings Demeans the dress I wear.
A power of butterfly must be The aptitude to fly, Meadows of majesty concedes And easy sweeps the sky.
So I must baffle at the hint And cipher at the sign, And make much blunder, if at last I take the clue divine.
In Selected Poems & Letters of Emily Dickinson. RN Linscott, ed (Doubleday 1959), 175.
This film is not yet out for general release. See this FB page or the website for more info.
Normally a review would recommend an audience for the book or movie or whatever it is that is being reviewed, but this film makes it difficult to say who exactly would prefer it or get the most out of it. I love the late Simone and seriously looked forward to “An Encounter with Simone Weil,” but I was in for a surprise with this pseudo-documentary. This film (the Director’s Cut), by Julia Haslett, is like a personal travel diary only instead of the destination being a place, it’s a person. And the road there is strewn with corpses.
Ok, so let’s make a stab at the audience, or in this offering, audiences. The filmmaker comes from the liberal anti-American, anti-Christian segment of America, as is made apparent in the film, so that same audience is probably the intended one (since a quote from Michael Moore is on the front dvd cover, this is not a risky guess); the secondary audience would be those who otherwise like Weil or want to know more about her, most likely having heard of her in Christian or philosophy circles.
Simone Weil (1909-1943) was one of those rare of the rarest of human beings, a person with extreme intellectual prowess fused with extreme empathy and charity. She was an intellectual who taught philosophy (and taught it all in the original languages), gave up her teaching job to labor with factory workers, had conversations with the likes of Trotsky . . . but scratch the record . . . she was also a Christian mystic. This film touches on her academic career, but focuses on Simone’s social activism (“political” activism in the film) and her unfortunate and apparently irrational taking up with God (film’s view, not the reviewer’s). It also has much interesting archival footage.
Haslett makes this film, does this research, due to her sadness and feeling of regret after her father’s suicide. Could I have done something to stop it?, she asks, and Can I do more to help others who suffer? She is inspired by something Weil wrote, “Attention is the rarest and purest form of generosity.” Indeed, surprisingly true and knowledge worth acting upon. How did Simone give attention, how did she alleviate suffering (or at least how did she try), and how does Haslett emulate Simone in this regard?
Without going into too much detail (a short bio of Simone can be found here, there is an excellent biography at the beginning of the book, Waiting for God, and there are numerous other sources about Simone as well), Simone didn’t just research social problems and make suggestions to the government. She knew that the only way to understand someone’s suffering, at least to some degree, was to become them. Thus the factory work episode mentioned earlier. She also, from a very early age, paid attention to the sufferings of soldiers and workers and ate the small amounts they ate, or didn’t pay for heat if her fellow workers could not afford it. She gave up on pacifism when she saw that war was inevitable and that providing help to the better side was a good; she fought in Spain for a short time (in 1936) with those against the fascists, and she volunteered to be a front-line nurse early in the Second World War. She didn’t just talk, she walked the walk.
This is all well-known material regarding Simone Weil. So what did Haslett do? She does what she can to suffer alongside her brother who is in and out of depression, and she is involved with causes that are meant to alleviate suffering and bring about justice. The problem with these causes is that they are very political and Haslett can’t seem to get herself to look at all the sides of the issues (she shows that there is voter fraud in Florida, on the side of the Republicans, but she ignores the voter fraud perpetuated by the Democrats). Simone was very good at (and purposefully so) looking at opposing information. Haslett’s inability to look at the other side, of humbling herself for that (or simply not villainizing the “other side”), shows up in another important way in this film.
Haslett is so enamored with Weil, and so mystified by some things about her, that she wants to meet her. Since she can’t actually bring her back from the dead, she hires an actress (obviously a sharp one) to read and absorb Simone’s writings, and work in a factory like Simone did (sort-of), in order to “become Simone” so that Haslett can ask her questions. [I’ll pause while you take that in.] My first thought was, Why doesn’t she just try and understand Simone herself? Haslett perhaps realized that she was incapable of doing so, but then, what use would there be in talking to and getting annoyed with an actress when you can basically do the same thing with a book? It does indeed come to the inevitable head when the actress (bless her) says that “I” -meaning Simone – did not kill myself and by being a slave of God’s I could get beyond my pain (Simone had very bad and long-lasting migraines) and try and do what I was called to do.
“Simone” insisted that she did not kill herself. This is in reaction to many people’s claim that she passively ended her own life by not eating enough (while trying to get over tuberculosis); something the doctor who filled out her death certificate claimed. Knowing Simone’s lifelong habit of only eating so much based on someone’s suffering–in this case, it was the amount allotted to her occupied countrymen in France–many question the doctor’s judgment. But Haslett seemed to be trying to make the case that Simone killed herself, and had earlier submitted to Christ, out of desperation–desperation over not being able to stop the suffering of so many, and knowing that suffering would never come to an end. It is presented that Simone had to have turned to religion only as a last resort – after all reason and rational thought were used up. Reading Simone’s writings, one would be very hard pressed to come up with a justification of this opinion of Haslett and others.
For one thing, Simone insisted that “she had not needed to be converted; she had always been implicitly, in ‘secret’ even from her lower self, a Christian” (Fiedler 1951, 23). Regarding suffering, she came to view her own, from the migraines, as a gift. Of course, suffering caused by man should be worked against. Regarding reason and rational thought, consider her claim: “Christ likes us to prefer truth to him because, before being Christ, he is truth. If one turns aside from him to go toward the truth, one will not go far before falling into his arms” (Weil 1951, 69). Very unlike Haslett, Simone knew that humans needed salvation. In all the history now known there has never been a period in which souls have been in such peril as they are today in every part of the globe. The bronze serpent must be lifted up again so that whoever raises his eyes to it may be saved” (Weil 1951, 76; see Numbers 21:5-8 and John 3:13-15 for biblical references).
All this is significant since Haslett is against it . . . yet she can’t seem to dismiss it. At the end of the film we find that the brother she includes in the film, who suffered depression after his father’s suicide, committed suicide himself. Haslett equates his suicide with Weil’s, though this seems very far from the mark (especially if you are of the opinion that Weil did not commit suicide). She says that, since the world is doomed, the only choice is whether to commit suicide or not. Wow. I do hope that if any suicidal persons see this film that they aren’t encouraged negatively by it. In any case, there actually seems to be hope in the end.
Amazingly, Haslett, for the first time, gives a nod to the supernatural; she says that to give attention is a “miracle.” As she kisses a wall, she ends the film with this Weil quote: “Two prisoners whose cells adjoin communicate with each other by knocking on the wall. The wall is what separates them but it is also their means of communication. It is the same with us and God, every separation is a link.” Perhaps the best audience for this film are all those who desire Haslett (and others like her) to look toward God longer, until she desires Him instead of the vessel in which He worked so brightly (Simone).
.
Fiedler, Leslie A. “Introduction,” in Waiting for God. Simone Weil (New York: Harper Colophon 1973)
Weil, Simone. Waiting for God (New York: Harper Colophon 1973; reprint of G.P. Putnam’s Sons 1951)
The way my ideas think me
Is the way I unthink God.
As in the name of heaven I make hell
That is the way the Lord says me.
And all is adventure and danger
And I roll Him off cliffs and mountains
But fast as I am to push Him off
Fast am I to reach Him below.
And it may be then His turn to push me off,
I wait breathless for that terrible second:
And if He push me not, I turn around in anger:
“O art thou the God I would have!”
Then he pushes me and I plunge down, down!
And when He comes to help me up
I put my arms around Him, saying, “Brother,
Brother.” . . . This is the way we are.
Source: The Earth is the Lord’s: Poems of the Spirit, H Plotz, compiler (Oxford Univ Press 1971), 124-125.
_________
Hamlen Brook
Richard Wilbur
.
At the alder-darkened brink
Where the stream slows to a lucid jet
I lean to the water, dinting its top with sweat,
And see, before I can drink,
A startled inchling trout
Of spotted near-transparency,
Trawling a shadow solider than he.
He swerves now, darting out
To where, in a flicked slew
Of sparks and glittering silt, he weaves
Through stream-bed rocks, disturbing foundered leaves,
And butts then out of view
Beneath a sliding glass
Crazed by the skimming of a brace
Of burnished dragon-flies across its face,
In which deep cloudlets pass
And a white precipice
Of mirrored birch-trees plunges down
Toward where the azures of the zenith drown.
How shall I drink in this?
Joy’s trick is to supply
Dry lips with what can cool and slake,
Leaving them dumbstruck also with an ache
Nothing can satisfy.
Source: The Vintage Book of Contemporary American Poetry, JD McClatchy, ed (Vintage Books 1990), 142.
________
You Beckoned
Vicki Priest (Note: imagine every other line indented; I couldn’t get it to format that way here.)
.
You beckoned, even teased
with that roar and
Crash of booming surf,
untamed power—
To my heart all
mystery and fear.
All from You swirling, pushing
the tiniest of particles,
Even uncountable molecules
in one roiling mass
Toward the shore, and there
spray and mist
Found my cheek, as if to
commune. Such a light, longing
Touch cannot be put away.
Neither could my ears muffle
What seemed torrential tears.
I could not yet understand.
But through universe observing
that made me feel like death,
It came upon me to listen
to You through a singing voice;
You spoke love—like no other.
So I came to understand,
That that ominous, constant roar
is like my longing (and that of all
Creation) for fruition, full; and
It is Your affirming shout:
“It is done, you shall see,
come and dance with Me!”